Today I have the pleasure of welcoming Elizabeth Kaiser,
author of Jeweler's Apprentice to Shelf Full of Books. Welcome Elizabeth.
Please tell us a bit about yourself.
I grew up 3rd in a semi-large, rural family, lots of outdoors adventures
and animal escapades throughout childhood. Dad has been varyingly ill most of
his life; and we were always financially uncertain, and the scary, real world
was never far away.
I was always making up stories, the wilder
the better. I loved tales with fairies in them, and used to play with my
siblings in the woods, finding mosses that were fairy courts and spider webs
that were fairy bowers. Mom read The Hobbit aloud to us kids when I was 7 or 8,
and I’ve loved the genre ever since. I have read thousands of books, all
genres, since... but any specific has a warm place in my heart. I’ve read and
imagined so much fantasy that it was a easy place to start writing at. Also, my
sister Abigail, (whom I wrote the first book in this series for) likes that
kind of thing as well, so with Jeweler’s Apprentice I was specifically trying
to make her happy.
When did you decide you wanted to become an author?
I was a precocious reader, starting at about
7, and at 9 I read an abridged version of Little Women. The fact that Jo
March went on to write books make a light-bulb go off in my
head, and at that
moment I knew that's exactly what I wanted to do.
Where did your inspiration come for Jeweler’s Apprentice?
It started as a gift for my youngest sister (and best
friend). I wanted to write about a 16 yr-old girl, since Abi was just turning
16. I wanted her to have a real-world trade that was also interesting, and not
already overused. I also wanted to follow the “write what you know” adage, so
that I could be certain I wasn’t misrepresenting some innocent line of work by
trying to write about something I was totally ignorant of. That left few
options: Farm girl. (How cliché!) Baker. (Boring!) Dairymaid. (Slightly better,
but how would that turn out exciting?) Horse-trainer. (Here at the ranch I’m
surrounded by horse-training, and those kind of books always make me roll my
eyes, so I didn’t want to do that.) So I thought “What are the things Abi
really likes that I can work into the story?” After a bit it struck me: we both
really love gems and jewelry, and I’ve had some experience with jewelry making,
as well as done a whole lot more research into the higher forms I haven’t
reached myself. So voila! A jeweler Fia would be.
As for the circumstances of her apprenticeship; I
wanted to have her be a Reluctant Hero, with a side dish of “if we try our
best, good things can come even from our mistakes; even if they come in
disguise at first!” So I wanted her to stumble into the “good fortune” of her
apprenticeship in a completely uncomfortable way, and then have that lead to
more discomfort as the tale escalated. A lot like Bilbo wishing he was “back at
home with the kettle just beginning to boil. Not for the last time!”
What kind of research did you do for this book?
I looked deeper into jewelry making, metal
crafting, to get the finer points down and make sure I was representing the
stage of heat glow correctly, for example. There's a lot of other, little,
incidental things that I don't recall, because basically I used a lot of things
I was already fairly familiar with, so I just needed to freshen up on the exact
facts.
You’ve said that your goal is to write “re-readable
literature”. I think that is an awesome goal. What is it and what makes
literature re-readable?
You know that kind of book that you can read
more than once and glean something new out of it each time? That is what I'd
like to put out there. I know the market is all about quick sales and spike
bestsellers right now, but I love the classics that just last and last because
they're so... re-readable! Those books you love, and can pick up anywhere and
enjoy that scene even if you already know the plot by heart.
I'd like to write that kind of books.
You also say on your website that you “believe that fiction can be a huge vehicle for truths
of all kinds”. What kinds of
truths do you try to bring across in your novels?
I deeply believe that mainstream fiction has
become mired in a sinkhole of "un-realism", not to mention basic
"nihilism". There are so many books that I just can barey make myself
finish because a ton of their plot points are so "THAT could NEVER
happen!" From stopping speeding motorcycles on a dime, to avoid a wreck
(physically impossible!) to simple relational things like "the Bad
Boy" is instantly Completely GOOD, because he has a crush on some girl...
it's just not factual. People are way to complicated to be so simplistically
rendered.
I know with fiction we deal in the
realm of the imagination, but our imaginary world ought to be used to bring
across Truths that Work in the Real World; so that readers can be better
equipped to make better decisions in their own life. Like the speeding motorcycle.
Who's going to be careful about their speed if "the books say" you
can "just stop when you want to"? If instead they read a scene where
aerodynamics of speed were kept in realistic bounds, they might be aware of the
awesome power momentum can be, and drive slightly more carefully because of it.
How would that author feel to have saved lives, instead of endangered them?
I don't write contemporary, but the
same principle applies to all genres. Tolkien is one of my inspirations... he
realistically dealt with the difficulties of both bad and good characters. Even
evil characters had some beneficial role to play, and the fact that good
characters were sometimes weak was not a problem. That they staggered on in
spite of it was what made them heroes.
That is a truth that is, and always
will be, applicable to the present.
How does your faith fit into your books?
I'd say that my faith definitely underpins my
books, but that it is so substantial of a foundation that the book itself has
no need to talk about it. In my worlds, good will overcome evil, even if it
looks impossible at any given moment. And that is directly from me faith. This
I know, that Right will be done, no matter what.
This enables me to understand that what seems
to be a tragedy can actually turn out to be a glorious victory, in the end of
all things.
Now that you have completed your second novel “Traitor’s
Knife”, what are you working on?
I am taking a slight break from Fia's journey
to spend some time on a few historical romances people have urged me to
complete, so I'm kind of giving my creative muscle a different exercise to work
on.
What do you think of the revolution in the publishing
industry?
I think that it's a time both great
opportunities and hardships, just like an shifting landscape. But it definitely
has opened things up, and I think people should start deciding what they want
to read, and then pursue creatives that can make it real for them. There's a
huge opportunity to close the gap between hearer and teller, make the power of
storytelling back into a community thing and less of an industry. I hope that
we'll see "tribes" of aficionados cultivating and cultivated by
artistic producers that can speak to the heart of where their audiences are at.
The world is such a scary, changing
place, I think this needs to happen.
Contact Elizabeth:
Get to know me better at EKaiserWrites.webs.com
Leave a comment on my blog E.KaiserWrites-A-Blog!
'Like' my author page on FB, E Kaiser writes;
or follow @EKaiserWrites on Twitter!
Friend E. Kaiser on Goodreads!
'Like' my author page on FB, E Kaiser writes;
or follow @EKaiserWrites on Twitter!
Friend E. Kaiser on Goodreads!
I'm also E. Kaiser Writes -
Google+
and LinkedIn; E. Kaiser Writes
I’m very much an off-grid girl setting sail into
the roiling waters of the internet, so I am open to friending and connecting
with anyone on any of these sites! Anyone that will have me, that is, of
course. ;-)
Hey! Great interview, Kathryn! Thanks for having me!
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